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TBI Weekly
TBI Weekly: TBI’s favourite shows of 2021
It has been another rollercoaster of a pandemic-hit year and yet the quality of programming…
TBI Tech & Analysis: Exploring the soaring cost of content
As competition in the subscription streaming market heats up, production budgets are getting bigger. Omdia’s…
TBI Weekly: Going global with an indie kid’s brand
It’s a producer’s dream to create a hit show that turns into a global brand….
TBI Tech & Analysis: How RTL Group is competing on streaming
US media giants are targeting Europe with their streamers but incumbent operators are making moves…
TBI Weekly: Exploring a new dawn for Portugal’s drama industry
From tax breaks to co-pros and burgeoning Atlantic alliances, Portugal’s drama business is attracting increasing…
TBI Tech & Analysis: Unpacking Netflix & Amazon’s European drama plans
WarnerMedia, ViacomCBS and NBCUniversal are ramping up competition in an already crowded streaming ecosystem in…
Unmasking AVOD’s format potential
Could AVOD provide a fertile new breeding ground for fresh unscripted ideas? Tim Dams finds…
TBI Tech & Analysis: Why Netflix chose its new viewing metric
Netflix recently revealed a swathe of new data reflecting its most-watched shows using a new…
TBI Weekly: What CJ ENM’s deal for Endeavor says about Korea’s burning ambition
South Korea’s CJ ENM said earlier this year that it wanted to become a global…
TBI Tech & Analysis: Who’s watching what on Netflix?
Netflix remains the largest global streaming service, yet many details of how its content is…