TBI Weekly

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TBI Weekly: TBI’s favourite shows of 2021

It has been another rollercoaster of a pandemic-hit year and yet the quality of programming…

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TBI Tech & Analysis: Exploring the soaring cost of content

As competition in the subscription streaming market heats up, production budgets are getting bigger. Omdia’s…

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TBI Weekly: Going global with an indie kid’s brand

It’s a producer’s dream to create a hit show that turns into a global brand….

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TBI Tech & Analysis: How RTL Group is competing on streaming

US media giants are targeting Europe with their streamers but incumbent operators are making moves…

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TBI Weekly: Exploring a new dawn for Portugal’s drama industry

From tax breaks to co-pros and burgeoning Atlantic alliances, Portugal’s drama business is attracting increasing…

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TBI Tech & Analysis: Unpacking Netflix & Amazon’s European drama plans

WarnerMedia, ViacomCBS and NBCUniversal are ramping up competition in an already crowded streaming ecosystem in…

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Unmasking AVOD’s format potential

Could AVOD provide a fertile new breeding ground for fresh unscripted ideas? Tim Dams finds…

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TBI Tech & Analysis: Why Netflix chose its new viewing metric

Netflix recently revealed a swathe of new data reflecting its most-watched shows using a new…

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TBI Weekly: What CJ ENM’s deal for Endeavor says about Korea’s burning ambition

South Korea’s CJ ENM said earlier this year that it wanted to become a global…

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TBI Tech & Analysis: Who’s watching what on Netflix?

Netflix remains the largest global streaming service, yet many details of how its content is…