TBI Weekly
TBI Weekly: Why it’s time to embrace brand-funded production
Shayna Waldman, development and production executive at Clash Of Trades producer The ATS Team, takes…
TBI Weekly: How Rex kept the beat on C5’s sex, drugs & libel show
Paramount-owned UK broadcaster Channel 5 will debut Rex TV’s debut series, Frank Bough: National Treasure,…
TBI Weekly: Nine factual takeaways from Fipadoc in Biarritz
French broadcasters were out in force at Fipadoc last week in Biarritz, with true crime,…
TBI Weekly: What Amazon & HBO Max’s TV ads tell us about global content trends
If you want to make sense of the content industry right now, just turn on…
TBI Weekly: Why French film & TV are getting into bed together
French audiovisual body Unifrance marked its 25th Rendez-Vous in Paris by broadening out the traditionally…
TBI Weekly: Where WBD & its former content goes next
A rapid-fire succession of headlines this week has illuminated what comes next for Warner Bros….
Opinion: Eight New Year’s ‘evolutions’ for the format business
From unrecognised creativity to extortionate commissioning deals and execs unsuited to their roles, TBI’s resident…
TBI Weekly: TBI’s favourite shows of 2022
It’s that time of year when the TBI team looks back into the not-too-distant past…
TBI Weekly: Key takeaways from Asia TV Forum & NEM Zagreb
It has been a double whammy of market activity this week, with Asia TV Forum…
TBI Weekly: Six takeaways from World Congress of Science & Factual Producers
It has been a busy week for UK-based events, as producers, creatives and execs working…